{"id":5497,"date":"2023-05-30T08:21:45","date_gmt":"2023-05-30T08:21:45","guid":{"rendered":"http:\/\/www.lucalombardi.net\/home\/?p=5497"},"modified":"2023-05-30T08:21:45","modified_gmt":"2023-05-30T08:21:45","slug":"ophelia-fragmente-performance","status":"publish","type":"post","link":"https:\/\/www.lucalombardi.net\/home\/ophelia-fragmente-performance\/","title":{"rendered":"&#8220;Ophelia-Fragmente&#8221;: performance"},"content":{"rendered":"<p style=\"text-align: center;\"><strong><b>Berlin, 30.5.2023 &#8211; 20:00 h<\/b><\/strong><\/p>\n<p style=\"text-align: center;\"><strong><b>\u00a0<\/b><\/strong><\/p>\n<p style=\"text-align: center;\"><strong><b>BKA-Theater, <\/b><\/strong><a href=\"https:\/\/www.google.com\/maps\/search\/Mehringdamm+34,+10961+Berlin?entry=gmail&#038;source=g\"><strong><b>Mehringdamm 34, 10961 Berlin<\/b><\/strong><\/a><\/p>\n<p style=\"text-align: center;\"><strong><b>\u00a0<\/b><\/strong><\/p>\n<p style=\"text-align: center;\"><strong><b>Unerh\u00f6rte Musik<\/b><\/strong><\/p>\n<p style=\"text-align: center;\"><em><i>Tiziana Scandaletti, Soprano<\/i><\/em><\/p>\n<p style=\"text-align: center;\"><em><i>Riccardo Piacentini, Piano<\/i><\/em><\/p>\n<p style=\"text-align: center;\"><em><i>\u00a0<\/i><\/em><\/p>\n<p style=\"text-align: center;\">Luca Lombardi <strong><em><b><i>Ophelia-Fragmente<\/i><\/b><\/em><\/strong>\u00a0(1982)<\/p>\n<p style=\"text-align: center;\">(Text: Heiner M\u00fcller)<\/p>\n<p style=\"text-align: center;\">For Voice and piano<\/p>\n<p style=\"text-align: center;\"><strong><b>\u00a0<\/b><\/strong><\/p>\n<p style=\"text-align: center;\"><strong><b>Live on YouTube:<\/b><\/strong><em><i>\u00a0<\/i><\/em><a href=\"https:\/\/www.youtube.com\/live\/AgsqH7D33kU?feature=share\"><em><u><i>https:\/\/www.youtube.com\/live\/AgsqH7D33kU?feature=share<\/i><\/u><\/em><\/a><em><i>\u00a0<\/i><\/em><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\">\u201c \u2026 <em><i>Lombardis St\u00fcck ist ein hochdramatisches Werk \u00fcber die Figur der Ophelia, die von Heiner M\u00fcller aufgegriffen wurde, mit einer beeindruckenden Mischung aus Einfachheit und Komplexit\u00e4t&#8230;\u201c<\/i><\/em><\/p>\n<p style=\"text-align: center;\"><em><i>\u00a0<\/i><\/em><\/p>\n<p style=\"text-align: center;\"><em><i>&#8220;&#8230; Lombardi&#8217;s piece is a highly dramatic work about the character of Ophelia, which was taken up by Heiner M\u00fcller, with an impressive mixture of simplicity and complexity&#8230;&#8221;<\/i><\/em><\/p>\n<p>&nbsp;<\/p>\n<p><em>\u201cThe realistic artist does not avoid ugliness\u2026 But he does not stop there either. He overcomes ugliness in two respects: First, through the beauty of his representation (which has nothing to do with glossing over or palliation), and, secondly, by showing ugliness as a social phenomenon.\u201d<\/em><\/p>\n<p>These sentences by Bertolt Brecht seem to me well-suited to explain my reasons for setting two fragments from the <em>Hamletmaschine<\/em>\u00a0by Heiner M\u00fcller (whom I consider one of the most important writers of our time). \u00a0For I think that only by facing reality (which, at the moment, is hopeless) with open eyes, by not covering it with a well-meaning aesthetic patina\u2014only then can we hold on to what is most important, namely hope.<\/p>\n[Luca Lombardi, 1982]\n","protected":false},"excerpt":{"rendered":"<p>Berlin, 30.5.2023 &#8211; 20:00 h \u00a0 BKA-Theater, Mehringdamm 34, 10961 Berlin \u00a0 Unerh\u00f6rte Musik Tiziana Scandaletti, Soprano Riccardo Piacentini, Piano \u00a0 Luca Lombardi Ophelia-Fragmente\u00a0(1982) (Text: Heiner M\u00fcller) For Voice and piano \u00a0 Live on YouTube:\u00a0https:\/\/www.youtube.com\/live\/AgsqH7D33kU?feature=share\u00a0 &nbsp; \u201c \u2026 Lombardis St\u00fcck ist ein hochdramatisches Werk \u00fcber die Figur der Ophelia, die von Heiner M\u00fcller aufgegriffen wurde, <a class=\"read-more\" href=\"https:\/\/www.lucalombardi.net\/home\/ophelia-fragmente-performance\/\">LEGGI TUTTO<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"aside","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-5497","post","type-post","status-publish","format-aside","hentry","category-news","post_format-post-format-aside"],"_links":{"self":[{"href":"https:\/\/www.lucalombardi.net\/home\/wp-json\/wp\/v2\/posts\/5497","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lucalombardi.net\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lucalombardi.net\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lucalombardi.net\/home\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lucalombardi.net\/home\/wp-json\/wp\/v2\/comments?post=5497"}],"version-history":[{"count":3,"href":"https:\/\/www.lucalombardi.net\/home\/wp-json\/wp\/v2\/posts\/5497\/revisions"}],"predecessor-version":[{"id":5549,"href":"https:\/\/www.lucalombardi.net\/home\/wp-json\/wp\/v2\/posts\/5497\/revisions\/5549"}],"wp:attachment":[{"href":"https:\/\/www.lucalombardi.net\/home\/wp-json\/wp\/v2\/media?parent=5497"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lucalombardi.net\/home\/wp-json\/wp\/v2\/categories?post=5497"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lucalombardi.net\/home\/wp-json\/wp\/v2\/tags?post=5497"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}